Surrealism with imaginative architecture

Surrealist architecture and collage

Architecture is the triumph of imagination!… according to Frank Lloyd Wright and it is that the works of many architects and artists walk a fine line between “constructive impossibility” and surrealism architectural of his works. representatives of the surreal architecture there are many, although noteworthy is the "master of teachers», Antonio Gaudí who with the power of imagination and good art knew how to channel reality projects of surrealist buildings and works with an impossible geometry and volumes. But… what is it? those who cannot bring their architectural imagination to physical reality?

In this case we want to present you two icons – to our understand – two exponents of architecture surreal that uses neither concrete nor bricks to express their ideas and constructions surreal. His weapons are glue and paper camera, a tidy up, some sharp scissors and some good photos to portray what others do not see.

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Surrealism and royal architecture

Victor Enrich defines his works as a mix between Photography and digital retouching… “shows a version dream of reality that invites you to fantasize between the real architecture and the dream of structures impossible”. And it is that the photography of this Barcelona artist gives to a lot. Impossible buildings that bend like accordions or unsustainable structures make up the works of this artist based on real spaces and landscapes of around the world forming a collage surreal with forceful character.

Buildings upside down, bent, deformed, form a series of works that go beyond the imagination of any observer before the colleges architectural features of the artist.

The works, half reality and half fiction, are made based on computer programs and retouching detail of his photographs, although, as Enrich adds, “the main tool is my eyes, without which it would be impossible to do what I do» . “Behind the eyes, there are my hands and the computer, turned into an extension of they. To make them I do not need more than a square meter table, an internet connection, and silence and stillness in my direct environment and the power of surrealism«, he says. (we can know more about the artist from this newspaper article Theworld)

Collage and imaginative architecture

The works of German architect and creative Matthias Jung provide a reality of spaces. A surrealism in the architecture of buildings and constructions with logical scales depending on the landscapes in which he works and combining them with colors that are similar between the construction-landscape binomial. He artist refers to his collages such as “short poems of architecture», which offer a perspective fantastic and poetic. Works that are both beautiful and puzzling, yet expressive, defying logic and the laws of physics in collages fantastic where the surreal houses they could only exist in an alternate dimension

The imaginative photography of this artist German takes us to landscapes surreal and amazing where the building is only part of the visual spectacle.

Contrasting architectural styles combine with natural elements unexpectedly and with a harmony pride. The buildings are stacked on top of each other; trees that sprout from the roofs of the houses or opulent cathedrals nestled in desert landscapes and dreamlike These creative collages invite viewers to visualize new perspectives about the way we live.

Portraits of imaginative worlds where the color and the surrealist building come into perfect symbiosis.

A note about collage that we found very interesting:

«Collage is for architecture one of the fundamental strategies of his thought. Thats why he leveraging fragments from other architectures has depended not only on the scarcity of available means but of a special temperament. The use of fragments stolen and intrusive forms has been a real source of vitality. The Mosque of Córdoba, already a collage itself by the work of recycling of its structures and capitals, is revitalized with the inclusion of a cathedral within it. The same could be said from The Tea Palace, by Giulio Romano, where the collision of fragments of renaissance acquires a new logic thanks to to the merit of its altered disposition... The list is not infinite, not precarious either.” (By Santiago de Molina, more and interesting here)

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Links of interest:

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